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This book presents the fatigue properties of structural materials used for the production of ceramics. It explains the cyclic deformation and how failures occur by fatigue. Dislocations related to fatigue are examined. The way that fatigue induces structural changes in material undergoing cyclic deformation is explained as well. A special chapter considers the importance of environmental effects on fatigue. Surface treatment such as shot pinning, sand blasting and laser treatment are described. The book explains how design should be carried out considering all the major factors leading to reduced fatigue resistance.
Applied arts. Arts and crafts --- keramiek --- Cyclic compounds.
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porselein --- Applied arts. Arts and crafts --- ceramic engineering --- porcelain [material] --- keramiektechnieken
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775.2 --- Keramiek --- Art --- Applied arts. Arts and crafts --- ceramics [object genre]
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Dieses Wörterbuch bietet die interessante und kategoriale Grundlage für einen ernsthaften internationalen Diskurs über Design. Es ist das Handbuch für alle, die mit Design beruflich und in der Ausbildung zu tun haben, sich dafür interessieren, sich daran vergnügen und Design begreifen wollen.Über 100 Autorinnen und Autoren u.a. aus Japan, Österreich, England, Deutschland, Australien, aus der Schweiz, den Niederlanden und aus den USA haben für dieses Design-Wörterbuch Originalbeiträge geschrieben und bieten so bei aller kulturellen Differenz mögliche Erörterungen an, sich über wesentliche Kategorien des Design und somit über Design grundlegend zu verständigen. Es umfasst sowohl die teilweise noch jungen Begriffe aktueller Diskussionen als auch Klassiker der Design-Diskurse. - Ein praktisches Buch, das sowohl Wissenschaftscharakter hat als auch ein Buch zum Blättern und Lesen ist. This dictionary provides a stimulating and categorical foundation for a serious international discourse on design. It is a handbook for everyone concerned with design in career or education, who is interested in it, enjoys it, and wishes to understand it.110 authors from Japan, Austria, England, Germany, Australia, Switzerland, the Netherlands, the United States, and elsewhere have written original articles for this design dictionary. Their cultural differences provide perspectives for a shared understanding of central design categories and communicating about design. The volume includes both the terms in use in current discussions, some of which are still relatively new, as well as classics of design discourse. A practical book, both scholarly and ideal for browsing and reading at leisure.
Applied arts. Arts and crafts --- vormgeving --- Design --- Creation (Literary, artistic, etc.)
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Manufacturing technologies --- Applied arts. Arts and crafts --- Ophthalmic lenses. --- Optometry. --- Eyeglasses. --- Bifocal lenses. --- Opticianry.
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Are there differences between design practice and the practice of design research? What alliances between text and artefact are possible in the search for new knowledge? How does design research translate and transform theories and methods from other disciplines? Is design research moving towards becoming a formal discipline and, if so, would this really be an advantage? 16 international authors address these four different aspects in the form of personal statements, and 19 researchers share their reflections based on their experience of having carried out a practice-based PhD. This book investigates the status quo of things in the multi-faceted and constantly evolving field of design research, and outlines the elementary issues faced by researchers. The compendium is a survey of a fast-growing field and, at the same time, provides pointers for personal orientation. With statements from: Uta Brandes, Rachel Cooper, Clive Dilnot, Michael Erlhoff, Alain Findeli, Bill Gaver, Ranulph Glanville, Matthias Held, Wolfgang Jonas, Klaus Krippendorff, Claudia Mareis, Mike Press, Elizabeth B.-N. Sanders, Arne Scheuermann, Cameron Tonkinwise, Brigitte Wolf Gibt es Differenzen zwischen Designpraxis und Designforschungspraxis? Welche Allianzen zwischen Text und Artefakt sind auf der Suche nach neuem Wissen möglich? Wie werden Theorien und Methoden aus anderen Disziplinen durch die Designforschung übersetzt und transformiert? Begibt sich die Designforschung auf den Weg zu einer formalen Disziplin, und wäre dies überhaupt ein Gewinn? 16 internationale Autor/innen widmen sich in persönlichen Stellungnahmen diesen vier Aspekten, und 19 Forscher/innen schildern Betrachtungen, basierend auf Erfahrungen, die sie durch das Absolvieren ihres praxisbasierten PhD sammeln konnten. Dieses Buch fragt nach dem aktuellen Stand der Dinge in dem vielfältigen und im ständigen Wandel begriffenen Feld der Designforschung und skizziert die Grundfragen der forschenden Praxis. Das Kompendium ist die Bestandsaufnahme eines schnell wachsenden Bereiches und zugleich ein Kompass zur persönlichen Orientierung. Mit Stellungnahmen von: Uta Brandes, Rachel Cooper, Clive Dilnot, Michael Erlhoff, Alain Findeli, Bill Gaver, Ranulph Glanville, Matthias Held, Wolfgang Jonas, Klaus Krippendorff, Claudia Mareis, Mike Press, Elizabeth B.-N. Sanders, Arne Scheuermann, Cameron Tonkinwise, Brigitte Wolf
Architectural design --- Design --- Structural design --- Methodology. --- Applied arts. Arts and crafts --- decorative arts [discipline] --- design [discipline] --- onderzoek in de kunsten
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Ceramics --- Céramique industrielle --- Periodicals. --- Périodiques --- Ceramics. --- advanced ceramics --- ceramic-based composites --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- Glass --- Applied arts. Arts and crafts
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674.1 --- Glas --- Glasblazen --- 666 )* GLASINDUSTRIE - KERAMIEK - CEMENT - BETON --- glas --- 476.13 --- materiaalkennis --- Materials processing --- Applied arts. Arts and crafts --- informatieve jeugdliteratuur
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-6
Applied arts. Arts and crafts --- handleiding --- vrije tijd --- 637.9 --- Bloemen --- Bloemschikken --- C3 --- creatieve expressie --- bloemen (x) --- Kunst en cultuur --- Bloemsierkunst
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A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.
Seals (Numismatics) --- History --- Applied arts. Arts and crafts --- anno 500-1499 --- Sigillography --- Signets --- Sphragistics --- Diplomatics --- Glyptics --- Heraldry --- Inscriptions --- Intaglios --- Numismatics --- Emblems, National --- Signatures (Writing) --- To 1500. --- sigillografie
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